Pair dance of the early 20th century crossword clue Household and ballroom dance of the 20th century. middle ages and renaissance

05.11.2020

The 20th century is a time of evolution and progress. This period can be compared to a huge leap in the scientific and technological field. But progress has affected not only science or technology, but also civilization in general. Such a rapid and dynamic development of society took place, even in spite of the two world wars and many other events that brought complete destruction with them. But humanity's craving for perfection and self-development contributed to the incredible evolution of man as a part of a cultural society. One of the most powerful tools for self-realization and self-improvement was dancing. They brought joy, a sense of happiness and harmony to the life of the people of the 20th century, when scientific and technological progress almost completely squeezed out spirituality and replaced it with pragmatism. Due to the lack of “beauty” during this period, the culture of dance simply “explodes”, and a colossal number of new types and styles of choreography appear.

20th century dance "kaleidoscope"

From the diverse and colorful "kaleidoscope" of dance styles of the 20th century, one can single out such as rumba, hip-hop, lambada, contemporary and many others. Such a variety of dances proves that the 20th century is a leap not only in the scientific and technical sphere, but also a huge step forward in culture, art and the development of society as a whole.

Salsa is one of the most popular types of dance in the 20th century. This Latin American dance originated in Cuba back in the distant 1920s and has been the most popular choreographic composition ever since. Salsa has won such a worldwide love thanks to its incredible incendiary, gracefulness and amazing rhythm. This dance is able to make you enjoy life and see the world only in bright colors. Salsa has several directions: cha-cha-cha, rumba, bokacha, mambo and others.

Salsa

Tango is an incredibly beautiful and passionate dance with Argentine roots. Since its inception, namely in the 19th century, it has become the most popular and favorite choreographic performance in all Argentina, London, Paris, New York, etc. This dance soon “ignited” all of Europe, America and the whole world. Tango in the 20th century was even a kind of cult - whole ensembles, parties dedicated to it, and musical compositions written specifically for tango were created.

Tango

Another fantastically popular and unique dance of the 20th century is rock and roll. This choreographic performance made a real revolution in culture, art and society. Rock and roll appeared in America in the 50s. Its origin, first of all, began with music, which gave impetus to the emergence of this type of dance. Rock and roll has conquered young hearts all over the world with its drive, "spark" and incredible dynamism. This dance is characterized by very complex supports, jumps, throws and a kind of careless attitude of the partner to the partner. The slogan of rock and roll sounded like "sex, drugs and rock-n-roll", therefore, due to excessive frankness and even vulgarity, this type of dance was considered immoral and forbidden. But this did not stop him from remaining super popular in the 20s and even in our time.

Free dance

Free dance (also plastic, rhythmoplastic) is a movement that emerged at the beginning of the twentieth century for the liberation from the conventionality of the former ballet theater and the merging of dance with life. Free dance stood at the origins of the 20th century dance; it formulated the principles on which modern dance and modern jazz, contemporary dance, and even butoh and contact improvisation were partly based.

The creators of free dance were united not only by the desire to turn it into a high art, having an equal status with music or painting, but also by a special worldview. All of them, to one degree or another, perceived Nietzsche's idea of \u200b\u200bdance as a metaphor of freedom and the dancer as the embodiment of a liberated and creative spirit. For the founders of free dance, dance has become a special philosophy from which they expected the transformation of life. Isadora Duncan (1877-1927) dreamed of a new person, for whom dance would be as organic as other everyday affairs, of a woman of the future - the owner of "the highest mind in the most free body."
One of the ideological sources of free dance was the movement for physical improvement and body liberation. His supporters were looking for a source of rebirth in nature, called for naturalness, the liberation of man from the requirements imposed on him by modern civilization.

Modern dance

Modern dance is one of the directions of modern foreign choreography, which originated in the late 19th - early 20th centuries. in the USA and Germany. The term "Modern dance" originated in the United States to denote stage choreography that rejected traditional ballet forms. Having come into use, he supplanted other terms (free dance, Duncanism, sandals dance, rhythmoplastic dance, expressive, expressionistic, absolute, new artistic) that arose in the development of this direction. The common thing for the representatives of modern dance, regardless of which trend they belonged to and in what period they proclaimed their aesthetic programs, was the intention to create a new choreography that, in their opinion, met the spiritual needs of a person of the 20th century. Its main principles are: rejection of canons, the embodiment of new themes and plots with original dance-plastic means. In striving for complete independence from traditions, representatives of T. m. came, in the end, to the adoption of certain techniques, in opposition to which a new direction was born. The attitude towards a complete departure from traditional ballet forms in practice could not be fully realized.

Contemporary (contemporary)

A participatory stage dance style that develops the style of modern and postmodern dance. The contempo is characterized by traditional ballet attributes. Dance of this style is often performed on bare feet.

Contact improvisation

A dance in which improvisation is built around the point of contact with a partner. Contact improvisation is a form of free dance.

Butoh (Japanese 舞踏, butoh: "dance of darkness") - the direction of modern

japanese dance.

Contemporary dance (late XX - early XXI century)
Club dance:
-Electro
-House
-Trance
-Tectonist
Tecktonik is a new dance movement of the XXI century, containing elements, jumpstyle, hip-hop, locking, popping, techno, etc.

Strip Dance is a dance direction, in fact, which is part of a striptease. If striptease is "nudity in dance" skill, then strip dance is "dance skill suitable for nudity." That is, strip dance is any dance direction that can be organically applied for striptease. Accordingly, there are various options for strip dance: R "n" B strip, strip latina, classic strip plastic, etc. There are also different types of strip dance based on different striptease techniques based on interaction with objects, such as: lap-dance, table-dance, pole-dance, etc.

Go-Go (go-go) - a style of erotic dance, in which, unlike

striptease dancers do not undress. The purpose of the dance is to entertain discos. Go-go originated in the early 1960s, when women in the Peppermint Lounge in New York stood on tables and began to twist.

Hakka (Dutch. Hakken, also Dutch. Hakkuh) is a dance style that appeared in the Netherlands in the 90s as an attribute of the youth subculture of hardcore (gabber)

Jumpstyle

Jumpstyle (English jumpstyle from English jump - jump) - dance

a style that has spread in Europe in recent years, mainly in the Netherlands, Belgium, as well as northern Germany and France. The dances are accompanied by energetic electronic music, each dancer, in his own manner, to the rhythm of the music, makes movements similar to jumps, for which the style got its name. If there are several dancers, they should not touch the partner. Out-of-sync actions by different dancers are encouraged.

Melbourne shuffle is a dance style that originated in the late 80s in Australia, in the underground scene in the city of Melbourne. These are fast, typical jazz dance moves (step), but in a "modern" way, and danced to various styles of electronic dance music.

D'n "B Dance (Drum and Bass step), or D'n" B step x-outing - street dance, an attribute of the youth subculture of drum and bass, performed to music in the DnB style, most often at the so-called gatherings ( informal meetings or D'n "B-parties), battles (dance competitions, from the eng hop. D'n "B dance is performed in comfortable sneakers or flat-soled sneakers and most often jeans or pants that do not hinder movement.

The main emphasis when performing D'n "B dance is on the movement of the legs (" feints "with the feet):

Technique of alternation "toe - heel, toe - heel" (the so-called base, basic);
- technique of swings forward, to the sides, crossing the legs;
- the technique of turns and half-turns on the heel, on the toe, occasionally in the air;
- the technique of turns by 180, 360 or sometimes more degrees (the most difficult).

Square dance

Square dance (English square dance, translated from English "square dance") is a folk dance that appeared in the United States. The dance figures adopted in the square dance are borrowed from traditional folk dances brought to the United States by emigrants from Europe. These dances include Morris, English country dance and square dance. Square dance is danced all over the world. In Russia, he first appeared in 2003.

Street dance:

Hip-hop is a cultural movement that originated among the working class of New York in the late 1970s. DJ Afrika Bambaataa was the first to define the five pillars of hip-hop culture: MCing, DJing, breaking, graffiti writing, and knowledge. Other elements include beatboxing, hip hop fashion, and slang. Originating in the South Bronx, hip-hop became a part of youth culture in many countries around the world in the 1980s. Since the late 1990s, from a street underground with an acute social orientation, hip-hop has gradually turned into a part of the music industry, and by the middle of the first decade of this century, the subculture has become "fashionable", "mainstream". However, despite this, inside hip-hop, many figures still continue its "main line" - a protest against inequality and injustice, opposition to those in power.

Brakedance

Break dance or b-boing (English breakdance) - street dance, one of

currents of hip-hop culture.

C-walk (Crip walk)

Crip walk (C-walk, Cwalk) is a modern street dance style focused on virtuoso improvised foot work. C-Walk was born sometime in 1970 in South Central Los Angeles.

Popping

Popping (popping, dad; from the English Popping) is a style of dance that is based on the technique of rapid contraction and relaxation of muscles to cause tremors in the dancer's body - pop or hit. This is done continuously to the rhythm of the music, combined with various movements and postures. A dancer performing popping is called a popper. in Russia for a long time, it was incorrectly called "upper break dance". Popping is also used as a general term for a group of related styles that are often combined with popping to create more variety in performance.
In the street dance competition Juste Debout, Popping is one of the main 4 categories in which battles (competitions) are held:
- Krump
- Locking
The true beauty of which lies in sheer improvisation, not a series of planned sequential movements.

Dancing Latin America

Samba is a Brazilian dance, one of the five dances of the Latin American

ballroom dance programs. It arose as a result of the fusion of African dances, which came to Brazil with slaves from Congo and Angola, with Spanish and Portuguese dances brought from Europe by the conquerors of South America. Samba music has a characteristic rhythm produced by drums and marakas, usually 50-52 beats per minute (2/4 time signature).

Bachata (Spanish bachata) - musical style and dance of the Dominican

Republic, which has also become widespread in the Latin American countries of the Caribbean, as well as in those of the Latin American communities of the United States, where immigrants from these countries predominate. Musical size - 4/4. Music tends to have a moderate tempo; the lyrics tell the story of the suffering of unrequited love and the hardships of life.

Merengue (Spanish merengue) is a musical style and dance of the Dominican Republic that has also become widespread in the Latin American countries of the Caribbean, as well as in those of the Latin American communities of the United States, where immigrants from these countries predominate.

Mambo (Spanish mambo) - musical style and dance of Cuba, received

also widespread in the Latin American countries of the Caribbean, as well as in those of the Latin American communities of the United States, where immigrants from these countries predominate. Mambo, like Rumba, Salsa, Cha-cha-cha, was born in Cuba. The word "mambo" comes from the name of the god of war, to whom a ritual dance was dedicated in Cuba in the distant past.
The current form of Mambo was born in the 40s as a result of the fusion of Afro-Cuban rhythms and jazz, whose fathers were Odilio Urfe and Arsenio Rodriguez.

Salsa is a modern dance from the USA and Latin America, which

dance in pairs or in groups. The dance originated in the 1970s.
In December 2005, the first World Salsa Championships, the World Salsa Championships, was held in Las Vegas.

Zouk (Zuk) - a style of dance rhythmic music that came from

the French islands of Guadeloupe, Martinique, Haiti, Saint Lucia and became popular thanks to the efforts of the Grammacks and Exile One groups. Zouk translates to "party" or "festival" in French Creoles. In Europe, music is most popular in France, in North America - in Canada, in the province of Quebec. At the same time, its own direction Zouk was developed on the African islands of Capo Verde.

Lambada (port. Lambada) is a musical style and dance that originated in northern Brazil, in the state of Para. Popularized in the late 1980s and early 1990s all over the world, including Russia, thanks to the work of the French group Kaoma.

Flamenco (Spanish flamenco) - traditional music and dance

style originating from Andalusia; it is a fusion of musical accompaniment (toke), singing (cante) and dance (baile). The style is represented by several dozen varieties (more than 50). Flamenco dances and songs are usually accompanied by guitar and percussion: rhythmic clapping (palmas), playing on a percussion box (cajon); sometimes - castanets. Flamenco performers are called bailaor (dancer) and kantaor (singer), tokor (guitarist).

Capoeira, capoeira (port.Capoeira, /ka.puˈej.ɾɐ/) - Brazilian

national martial art, combining elements of acrobatics, games, and accompanied by national Brazilian music. As a martial art, it is distinguished by the use of low positions, kicks and, in some directions, an abundance of acrobatics. Modern capoeira, unlike its earlier forms, is rarely used for combat purposes. A common practice is non-contact fighting, although there are world championships in full contact capoeira. Capoeira is an art form in which traditions determine the order of meetings, the appearance of the participants, the music and the certification of capoeiristas.

Pachanga (Spanish pachanga) - Latin American musical style and dance, characterized by syncopated rhythm and movements. Music of this style was performed mainly by charang orchestras. In the 1960s, Pachanga made a splash among Hispanic New York teenagers.

Bolero (Spanish Bolero) is a dance and at the same time a musical genre that originated in Spain at the end of the 18th century. There are many types of boleros, characteristic of different regions of Spain. Bolero has size ¾. Also, a bolero is a short, tight sleeveless jacket without a fastener, part of the national costume.

Ballet
Ballet (French ballet, from Lat. Ballo - I dance) is a kind of stage art, the main expressive means of which are music and dance inextricably linked.

Most often, the basis of the ballet is some kind of plot, dramatic concept, libretto, but there are also plotless ballets. The main types of dance in ballet are classical dance and character dance. An important role here is played by pantomime, with the help of which the actors convey the feelings of the heroes, their "conversation" among themselves, the essence of what is happening. Elements of gymnastics and acrobatics are also widely used in modern ballet.

Ballet happens:

Romantic

Classical

Modern

Ballroom dancing

Ballroom dancing is a group of pair dances that are danced in special rooms. Sports ballroom dancing is divided into 2 programs: European and Latin American. The European program includes: slow waltz, tango, Viennese waltz, slow foxtrot ("slowfox") and quickstep (fast foxtrot). In Latin American: samba, cha-cha-cha, rumba, paso doble and jive. Ballroom dancing is very popular and hosts tournaments around the world.

European program:

Slow waltz is a ballroom dance of the European program. Danced at 3/4. Typically, there are three steps per measure. When moving forward, the first step to the greatest extent determines the length of movement for a given cycle, the second - the angle of rotation, the third - the auxiliary, change of the free leg, that is, the transfer of the center of gravity of the body.

Tango (Spanish tango) - an old Argentinean folk dance; paired

ballroom dance of free composition, characterized by energetic and clear rhythm; music to such a dance. Initially, it was developed and spread in Argentina, then it became popular all over the world. Tango was previously known as tango criollo. There are many dance styles of tango today, including Argentine tango, Uruguayan tango, ballroom tango (American and International style), Finnish tango, and ancient tango. Argentine tango is often regarded as an "authentic" tango as it is closer to the one originally danced in Argentina and Uruguay. Music and dance elements of tango are popular in dance, gymnastics, figure skating, synchronized swimming, and more.

Viennese Waltz is a ballroom dance of the European program. Is similar

slow waltz, differs in the number of measures per minute, that is, the tempo of the performance.

Foxtrot (fox step) - developed in 1912 in the USA from not so

temperamental wanstep a new group dance, at first in a slow 4/4-bar tempo. There is a misconception that the name of the dance comes from the English word foxtrot, which translates as "fox gait". In fact, this is not the case. The foxtrot was invented by Harry Fox to perform at a show in New York in 1913. After the First World War, the general passion for the foxtrot spread to Europe.

Quickstep is a fast foxtrot. If the term "foxtrot" in one of the versions is figurative and literally means "fox step", then the term "quickstep" is more accurate, that is, "fast step". Indeed, we are talking about a dance, which, in accordance with its lively rhythm, requires the performer to be light and mobile. Rich in variations, quickstep is considered the "little grammar" of standard dances. The movement is fast, light, airy, impetuous, high-speed. Musical size: 4/4. Beats per minute: 50. Accent: 1 and 3 beats. Competition: 1.5 - 2 minutes. Ascent and Descent: Ascent starts at end 1, continues through 2 and 3, up / down at end 4.

Latin American program:

Samba is a Brazilian dance, one of the five dances of the Latin American ballroom dance program. It arose as a result of the fusion of African dances, which came to Brazil with slaves from Congo and Angola, with Spanish and Portuguese dances brought from Europe by the conquerors of South America. Samba music has a characteristic rhythm produced by drums and marakas, usually 50-52 beats per minute (2/4 time signature).

Cha-cha-cha (Spanish cha cha cha) is a musical style and dance of Cuba, which has also become widespread in the Latin American countries of the Caribbean, as well as in those of the Latin American communities of the United States, where immigrants from these countries predominate. originated in the process of evolution and experiments of the Cuban composer Enrique Horrin (Enrique Jorrin, 1926-1987) with Danson, in the 50s of the 20th century. Performed in competitions, starting from the Hobby class. The time signature is 4/4, the tempo is 30 beats per minute.

Rumba is a Cuban pair dance of African descent. A distinctive feature of rumba is erotic flowing movements, combined with wide strides. The most famous rumba melody all over the world should be considered the famous "Guantanamera", written by Joseito Fernandez and quickly became a classic of rumba

Paso doble (Spanish Paso doble - "double step") is a Spanish dance that imitates a bullfight. The first name of the dance is “Spanish One Step” as the steps are taken for each count. The Paso Doble was one of the many Spanish folk dances associated with various aspects of Spanish life. Partially Paso Doble is based on bullfighting. The partner depicts a bullfighter, and the partner portrays his cloak or muleta (a piece of bright red cloth in the hands of a matador), sometimes the second bullfighter, and very rarely a bull, usually defeated by the final blow. The character of the music corresponds to the procession in front of the bullfight (el paseíllo), which is usually accompanied by paso doble.

Jive is a dance of African American origin that appeared in the United States in the early 1940s. Jive is a type of swing with fast and free movement. Modern jive is very different from swing in style, although it often uses the same shapes and movements. The time signature is 4/4, the tempo is 44 beats per minute.

Hustle (from the English hustle "hustle, hustle") - a pair dance based on improvisation and "lead". It is a collective name for dances to disco music popular in the 1980s, such as disco fox, disco swing and hustle proper. It is a "social" dance - that is, it is basically extremely simple, dances in four counts (disco-fox in three) to almost any music, does not require a lot of training and after a little practice allows anyone to dance.
-Sports hustle / disco fox / disco swing
-Hustle freestyle
-Hustle jack-n-jill

Hustle jack-n-jill is a hustle competition format where competing pairs are obtained by randomizing partners and partners. This nomination most clearly allows you to show the skills of social improvisational dance. The main features of the nomination: performance of performances is impossible, costumes and upper acrobatics are not evaluated by the judges.

Features of the conduct:
Hustle Jack-n-Jill is held in classes - D, C, B, A, as well as in the categories Absolute and Absolute in the Star System. Carrying out Hustle Jack-n-Jill in classes: D, C, B, A, and in the category - Absolute.

Show-hustle is a dance built on elements of hustle, which has its own idea / plot, which are realized in musical accompaniment, costumes and dance movements, which is a vivid performance.

Features of the conduct:
Show-hustle is held in class - absolute, because there is no division of dancers into classes. With the participation of 8 or less pairs, the final is held immediately. With the participation of more than 8 couples, at the discretion of the organizer, qualifying rounds can be held. In all rounds, participants dance to their own music, one pair on the floor.

Ladys Hustle is a dance based on the elements of Hustle, performed by two partners.

Double hustle is a dance based on hustle elements, performed by threes, usually consisting of one partner and two partners.

Historical dance
Historical dances are a common name for dances of past ages that are performed today.

Mazurka (from Polish mazurek) is a Polish folk dance.

Minuet (fr. Menuet, from menu - small) is an old folk French graceful dance, so named because of its small steps. Derived from the slow folk dance of the province of Poitou. It is written in a two-part warehouse, in a three-part size (3/4). Ballroom since the middle of the 17th century. Since the 17th century, it has spread widely throughout Europe

Polonez (Polish polonez, French polonaise, from French polonais - Polish) is a solemn procession dance at a moderate pace, of Polish origin. It was performed, as a rule, at the beginning of balls, emphasizing the solemn, sublime character of the holiday. In a polonaise, dancing couples move according to the established rules of geometric shapes. The musical time signature of the dance is ¾.

Folk dance

Attan is a traditional Pashtun-Afghan dance and the national dance of Afghanistan.

Wars is a Czech dance popular in the 1970s.

Gopak (from Ukrainian gop - an exclamation pronounced during a dance; hence the verbs gopati - to stomp, gopkati - to jump) is a national Ukrainian dance. The hopak is dancing in Ukrainian national costumes. The dance is danced energetically, the main movements of the dance are squatting, jogging, wide, high jumps with swinging legs. Sometimes combat sabers of Ukrainian Cossacks are used in the dance.

Jock (Moldovan joc - play, dance) is a massive Moldovan folk dance. The dance movement is dynamic. Musical size 2/4; there are also sizes 6/8 and 3/8. In different regions of Moldova, there are independent variants of music and dance steps of the jock. Jock also stands for mass festivities. There is a jock batrynesc (joc bătrînesc, dance of old men), jock de glume (joc de glumă, comic dance), etc.

Zika is a Chechen folk dance. Performed only by men. It is danced not only by collectives of folk art, but also at various especially important events.

Classical Indian dances
- Bharatanatyam
- Odissi
- Mohiniattam
- Kuchipudi
- Manipuri
- Satria
- Kathakali
- Kathak

Scottish dances is the collective name for dances associated with Scottish culture.

Krakowiak (Polish Krakowiak) - fast dance of Polish origin in 2/4; the form is two-knee, the melody of a lively character, often has an accent on the second eighth in a measure, which is syncopated with the third. The rhythm is sharp, with frequent syncope. It is performed cheerfully, temperamentally, with a proud bearing.

Kochari (azerb.köçəri) - Azerbaijani dance

Kochari (Armenian Քոչարի) - Armenian dance

Kochari - Assyrian dance

Kochari (Greek Κότσαρι) - Pontic dance

Lezginka (Lezg. Lekren kyul, Osset. Zilgæ Kaft, Tymbyl Kaft) - Lezgin folk dance Distributed throughout the Caucasus among all Caucasian peoples. The Kabardins, Ossetians, Avars, Chechens, Ingush and other Caucasian peoples have their own varieties of Lezginka.

Polka is a fast, lively Central European dance and dance music genre. It appeared in the middle of the 19th century in Bohemia and has since become a famous folk dance.

Belly dance is the Western name for a dance technique common in the Middle East and Arab countries. In Arabic it is known as Raqs Sharqi, in Turkish as Oryantal dansı, meaning "oriental dance." The originality of oriental belly dancing is in its plasticity.
Belly dance was introduced to the Middle East from India by the Gypsies around the 10th century, and from there it spread further and, therefore, it is often mistakenly attributed to its Middle Eastern origin.

Gypsy Dances are dances created by various groups of Gypsies. As a rule, the prerequisites for their appearance were the interpretation of the dances of the surrounding peoples. Certain types of gypsy dances were originally intended to make money.

Trepak is an old Russian folk dance. Performed at a fast pace, bipartite size. It is also widespread in Ukraine. The main movements are fractional steps and stomping. The dance was improvised by the performer. By its nature, it has much in common with "Kamarinskaya" and "Barynya" - either a single male dance, or a dance. But, unlike them, the trepak did not have its own traditional melody.

Uzundere (Azerb. Uzundərə) is an Azerbaijani national dance performed to lyric national music, often at weddings, mainly by women.

Horovod (Horo, Kolo, Korogod, Karagod, Kharagod) is an ancient folk circular dance-game. The dancers move in a circle holding hands.
It is distributed mainly among the Slavs, but it is found (under different names) among other peoples.

Csárdás (Hungarian csárdás) is a traditional Hungarian folk dance. The name comes from Hung. csárda - inn, tavern.

Yalli (Azerb. Yallı) is an Azerbaijani national dance, which is one of the most widespread collective round dance rural dances. Kochari, uchayag, tello and galadangalaya are considered different types of yalla dance.

Swing

Dance of the 1920s - 1940s. The term "swing" is commonly used for a group of dances that developed during the "swing era" (late 1920s - 1940s) or for modern dances that evolved from them. Historically swing has been categorized in the African American folk dance tradition, although there are some exceptions that were common among whites.

Almost all forms of swing are characterized by syncopated (shortened) rhythms characteristic of African American and West African music and dance, and with the jazz dances of the Jazz era (from the late 19th century to the 1940s). Most swing styles evolved along with the swing music genre, although many of these styles and their derivatives are now danced to contemporary music. Swing is now widespread in many developed Western and Asian countries, although in each city and country certain dances, their culture and music "suitable" for them are popular in different ways.

Lindy Hop is an African American dance that appeared in New York in the 1920s and 1930s. Lindy Hop developed in parallel with jazz music and belongs to the swing dance class. He absorbed the features of Charleston, tap, jazz and other dances that existed simultaneously with him. In the 1980s, Lindy Hop was revived by American, Swedish and British dancers. Currently, Lindy Hop schools exist in many countries of the world, incl. and in Russia.

Similar to its progenitor Charleston, the basic step of Lindy Hop is eight counts, and is danced both solo and in pairs. In the open position, the partners hold each other by one hand, in the closed position, the position of the hands resembles the position of the hands in a waltz.

Jive is a dance of African American origin that appeared in the United States in the early 1940s. Jive is a type of swing with fast and free movement. Modern jive is very different from swing in style, although it often uses the same shapes and movements.
The time signature is 4/4, the tempo is 44 beats per minute.

May. 5th, 2008 | 02:50 pm

The theme of this season's original dance is the rhythms of the 20s, 30s and 40s.
I do not understand dancing, but ... voschem Yandex and Google are great vesch!

Jive (English jive, a word of obscure origin; it is suggested that it may be from Negro slang with the original meaning of "cunning, deception"). The development of jazz music contributed to the emergence of new dance movements, born of syncopated jazz rhythms. As a result, the so-called jazz dances appeared, in the 20s - swing and ragtime, in the 40s - boogie-woogie, be-bop and rock. With the arrival of power tools on the stage, the manner of performing music and dancing changed, and this period coincided with the birth of rock and roll, whose popularity peaked in the 60s. In the late 80s, rock and roll revived in synthesis with acrobatic elements. And the jive itself comes from the acrobatic dance "Jitterbig", the movements of which, over time, simplified, became available for mass performance. The pace is fast, energetic. Unusual in dance is that the movements in the dance take one and a half measures, which creates certain difficulties in learning.

Further Foxtrot (English fox "fox" and trot "quick step", the name is associated with the surname of the American actor Harry Fox, who invented this dance) is a ballroom pair dance that arose from ragtime, two-step and one-step. The dance appeared in Europe in the early 1920s. American dance developed in England, where it was carefully guarded from the capricious influences of rapidly changing jazz rhythms and plastics. The dance of strict lines, and at the same time allowing improvisation, changing the combination of movements and their sequence, quickly spread throughout all European countries.
Foxtrot varieties:
Slowfox - (English slow "slow", fox "fox") - slow dance with a sliding long step. A kind of foxtrot. This dance is considered difficult as it requires good balance and constant control over every movement. To perform it gracefully, the partner and especially the partner need a long training session. It is believed that one who can dance slowfox will easily master the rest of the dances, because when studying it, the smoothness and softness of the step are developed.
Quickstep - (English "fast" and "step") - a kind of foxtrot. English in origin, the quickstep replaced the old foxtrot that was popular in the 1930s and was a fine example of fast dancing. Quickstep is complex with its tempo and rhythmic pattern. Rich in variations, quickstep is considered the "little grammar" of the European ballroom dance program.

Also in the first half of the 20th century it was very popular Paso Doble(paso doble) (Spanish paso doble "double step") - Spanish dance, emotional. The origin of this dance is associated with Spanish folk holidays - fiestas, during which the famous bullfights - bullfighting took place. Mass folk dances were performed on these festivals, and the Paso Doble was the most popular among them. The dance spread widely in Latin America, and then gained recognition in Europe, but already as a ballroom dance. The plot of the dance and its movements reflect a fight with a bull, where the partner is a bullfighter. At first glance, it does not give the impression of a complicated dance. But to reflect the character of the dance, it requires an excellent performance of the technique of leading in pairs, the work of the feet and the body.

Rumba(Spanish rumba, compare Spanish rumbo "path, course, rumb") - ballroom pair dance In the early 1930s, a dance of Cuban origin, rumba, was performed in dance halls in Europe. This beautiful and sensual dance immediately won the hearts of ballroom dancers. In the past, the word "rumba" meant "dance festival" among black slaves. Over time, these words began to refer to a specific rhythm and dance. Originating in Cuba, it was performed by a couple or soloist in the center of a circle of spectators. Choreographic story about the relationship between a man and a woman. Initially impetuous, the rumba has become slower and more restrained. Currently, three types of rumba are popular: square, rumba-bolero, and Cuban rumba. The Cuban rumba standardized by the British, or the so-called "mambo bolero", is a variant of modern ballroom dancing. It requires, first of all, a good sense of rhythm, balance, coordination of movements. Cuban rumba is similar in steps and figures to the cha-cha-cha dance, but performed in a different rhythm and in a different manner. The rhythm is soft, but energetic, some smoothness is characteristic

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from: murrinka
date: May. 5th, 2008 01:28 pm (UTC)

about Jive. It's not like that at all :)

Jive is a ballroom version of what swing has become. In the early 20s, foxtrot danced in ballrooms, and in poor houses at private parties, so-called drags - slow, sensual dances (crimped, in short :), there were also funny imitation dances of all kinds of black bottom, key quok, etc. who danced to the ragtime. Then the Charleston became wildly popular. Subsequently, at the very end of the 20s, following the music, in which swing came to the fore, dances also changed. Swing dances appeared, the most popular of which was lindy hop (it was later called jitterbug, not jitterbig). He was wildly popular at the time, with young people crowding into the ballroom by the thousands. Later in America, there were branches of the swing of the east coast and the west coast, which were quite different from each other. There was also a balboa dance from California.

During the war, American soldiers carried this "infection" to Europe, where in the late 40s dance again changed in accordance with music (rockabilly and rock and roll appeared) and began to be called boogie-woogie, then rock and roll ( the acrobatic branch of which later became a purely competitive sports form, shaking all similarities with the original version), and then turned into a twist, a shake (solo, not pair dances) and faded.
He (lindy hop) received a revival only in the 80s. And now it is again very popular all over the world (it is also taught in our school, www.msds.ru)

And jive is just what the whole story is reflected in the ballroom dance set. The greatest influence on its creation was made by the swing of the east coast, but a rather conventional visibility remained from it.

Source: Fashion Courier. 1913, no. 22, p. 183 This year, wherever the high society gathers, everyone involuntarily paid attention to the completely changed gait of our ladies. The body was held much more freely, the legs were also rearranged with greater freedom, more flexibility and lightness was felt in the whole figure. It should be noted that this flexibility and freedom of gait, was worn in [...]

Source: Zorn A.Ya. Dance art grammar. 1890, p. 227 Recording: Boris Stratilatov (Bodhi), Zazerkalye studio Music: 3/4, tempo according to MM 80 \u003d 1/4 Initial position: The pairs are in a column. Polonaise step: 1 bar: One - the knees are slightly bent, the leg slides forward on the toes, describing an arched curve to the 4th position. The body tilts gracefully to the side. Two three - […]

Source: Lawn-tennis, new salon dance explained by N.N. Yakovleva. Reconstruction: Boris Stratilatov (Bodhi), Studio of historical dance "Through the Looking Glass" Music: 2/4, tempo allegretto, S. Kuznetsov's own composition, op. 25 Starting position: The gentleman and the lady stand side by side, the gentleman's right hand lies on the lady's waist, the gentleman holds the lady's left hand with his left hand. 1-2: Three steps forward, starting at [...]

Source: Castle, Modern Dancing, 1914 p. 107. Castle I., Castle V. Modern dance. New York, 1914.S 107-130. Translation: Stratilatov Boris (Bodhi), Vlasova Olga. Studio "Through the Looking Glass". THE TANGO BRASILIENNE, OR MAXIXE Brazilian tango, or Matchish. The most modern dance today is the Brazilian matchish. First, you need to clarify one very important question - how to pronounce it [...]

Paired author's dance of the late 19th century. Source: Fin de Siecle - End of the Century. New dance. ed. Bessel and co., 1897 Author: "NPD", pseudo. Music: 3/4, waltz, own composition by A. Gerber. The composition takes 16 measures. Starting position: Couples stand in a circle. The partners stand facing each other, the gentleman with his back to the center of the circle. The cavalier holds with his right hand [...]

Author: Dawingof Vladimir Khristianovich. Source: Dawingof V.Kh. New Pas d'Espagne of the XX century. Salon dance. Moscow, 1905-1917. Music: author's composition, 3/4. The composition is designed for 16 measures, before the beginning 4 measures of the intro are played. Starting position: Partners stand face to face, giving each other their left hands. 1-2 Cavalier two glide paths to the right, against the course of the dance. The lady does the same [...]

Source: Nikolay Nikolaevich Yakovlev - Nouvelle danse de salon “Soirée à Madrid”. Pas d'Espagne, St. Petersburg, Northern Lyre, 1901
Music: 3/4, own composition by N.N. Yakovleva (op. 6)
Initial position: partners stand face to face, the gentleman has his back to the center. The cavalier holds the lady's right hand with his left hand.

English country dance of the early 20th century.
Source: Robert Morris Crompton. Theory and Practice of Modern Dancing. 1901 p.83
Starting position: column, two-pair set. The dance can be performed both in “wave” and simultaneously with each odd pair.

Source: E. Giraudet. Journal de la danse, No. 35, Paris, 1906, p. 921 Author: S.Ya. Kholachev, Odessa, 1901 Reconstruction: Boris Stratilatov (Bodhi), Zazerkalye studio. Music: 2/4, comp. J.V.L ... (?) The dance takes 16 bars of music. Starting position: Partners stand face to face, the gentleman holds the lady's left hand in his right hand, hands free on his hips. Dance description: Bar [...]

Source: S.Ya. Kholachev. New salon dance Pas de deux (Tyrolienne), Odessa, 1903.
Reconstruction: Boris Stratilatov (Bodhi), Zazerkalye Studio
Music: 3/4, waltz. Tempo Moderato, the circuit contains 16 measures of music.
Initial position: The partners face each other, the gentleman holds the lady's left hand with his right hand, and his right hand with his left hand.

Source: V.F. Levinson. Valse Louis XV, St. Petersburg, North Lira, 1900
Reconstruction: Boris Stratilatov (Bodhi), Zazerkalye Studio.
Music: 3/4, Waltz, composition takes 16 measures. The original uses the Galimberti waltz, op. 445. The author points out that the dance is performed slowly.

Pair dances appeared a very long time ago - the first mentions of them in Europe date back to the 11th century, although at that time the most popular folk dances were round / circular dances (for example, karol): all participants hold hands, forming either a vicious circle or a chain.

Gradually, however, the chain began to disintegrate, and in the late Middle Ages, along with round dance, pair dances began to spread: the dancers no longer stand alone, but in pairs, touching their hands.

The pairs line up at the back of each other's head, again forming either a circle or a chain.
But the set of movements is still very simple: steps, light jumps, body swaying, hand movements, sometimes elements of pantomime.

middle ages and renaissance

It is especially good to observe these changes in the example of the most popular dance of the 16th – 17th centuries. Initially it is a folk circular dance. But gradually he becomes a pair, and begins to dance not only at national holidays, but also at aristocratic balls: the ballroom differs from the folk in more smoothness, a large number of curtsies and more ceremony.

In fact, all subsequent ballroom pair dances (first of all,,) grew out of branle.

Actually, until the end of the 19th century, the history of pair dances is history. Social dances in the modern sense of the word did not yet exist, there was a division only into ballroom and folk dances, and in both directions there were both dances based on a solid sequence of movements and improvisational dances.

It is believed that ballroom dancing as such originated (from folk) in Italy in the XIV century, but after a couple of centuries France became the legislator in this regard.

xvii-xviii centuries

It was in France, on the initiative of Louis XVI, that in 1661 was founded Royal Academy of Dance (l "Académie royale de danse), which was supposed to study the dances that existed at that time and determine the rules, movements and forms of their performance at balls.

Ballroom pair dances of the XVII – XVIII centuries. - the dances are ceremonial and majestic.
They danced at aristocratic balls, in ceremonial and heavy outfits.

The most important salon dance of that time was, the main features of which were stiffness and solemnity.

It has become a certain stage on the path of the formation of ballroom dancing - thanks to its relatively energetic rhythm, it made it possible to find new dance forms and began to differ favorably from the stately and.

An important milestone in the development of pair dances was the emergence of counter dance in the 17th century: this made it possible to include a larger number of participants in the dance.

Contrdance is a general name for a number of dances (, grosvater, ecossaise, etc.), in which any even number of couples take part, and the dance phrases are sequentially repeated by one or the other line of the dancers.
These dances involve a greater variety of rhythm and movement.

In addition, in the 18th century, it was gradually ceasing to be exclusively the privilege of the aristocracy - again, the innovator in this regard was France, where in 1715 the first public paid ball was held, and in 1768 the first special room for ballroom dancing was opened.

xix century

In the 19th century, the situation changed. Balls became more widespread, clothing lighter, music and dancing faster.

A new dance appeared, finally was born, which changed the idea of \u200b\u200ba pair dance in general -.

If earlier in a pair dance, the gentleman and the lady barely touched each other with their hands, then he made a hug (what we now call a closed position) permissible - that is why at the beginning of his existence he was not too approved by either the church or the state. But it gradually gained immense popularity in Europe.

Public balls became more and more common in the 19th century, which began to be held both in special rooms and in city parks - for all segments of the population.

In addition, pair dancing began to experience new influences.
If before that the dances of the peoples of Europe became the main source of new dances and movements, now the influence of the American continent has increased: appeared,,. This marked the emergence of a new era -.