Slide 1
Slide 2
Lesson objectives: to review previously learned speech styles; to reveal the peculiarities of the artistic style on the example of I. Bunin's story "The Hunchback's Novel"; improve the skills of analyzing an art style text.
Slide 3
Slide 4
Style characteristic plan Conversational Scientific Official-business Publicistic Artistic Purpose of expression Scope of application - in oral speech in writing. speech Means of language characteristic of style Communication, exchange of thoughts Conversation in an informal setting Friendly letters, messages Colloquial vocabulary and phraseology, exclamation sentences, emotionality Communication, transfer of scientific information Lessons, lectures, reports Textbooks, dictionaries, encyclopedias, scientific and popular science books Terms, lack of figurative means of language, emotionality of speech Communication, transmission of business information Announcements (radio, television) Laws, documents Concise, compact presentation, use of words in the literal sense, accuracy of the message Impact on listeners or readers Speeches at meetings, meetings Articles in newspapers, magazines Economy of language means, laconic presentation, use. words straight. meaning, the presence of cliche turns
Slide 5
The hunchback received an anonymous love letter, an invitation to a date: “Be on Saturday, April 5th, at seven o'clock in the evening, in the square on Cathedral Square. I am young, rich, free and - why hide! - I have known for a long time, I have long loved your proud and sad look, your noble, intelligent forehead, your loneliness ... I want to hope that you will find, perhaps, in me a soul dear to you ... My signs: gray English suit , in his left hand a lilac silk umbrella, in his right - a bunch of violets ... "froze in place: towards him, in the pink light of the spring dawn, she walked with important and long steps in a gray suit and a pretty hat, similar to a man's, with an umbrella in her left hand and with violets in the right - a hunchback. Someone is merciless to a person! 1930 How shocked he was, how he looked forward to Saturday: the first love letter in his entire life! On Saturday he went to the hairdresser, bought (lilac) gloves, a new (gray with a red spark, matching the suit color) tie; at home, dressing up in front of a mirror, endlessly bandaging this tie with his long, thin fingers, cold and trembling: on his cheeks, under his thin skin, a beautiful, spotted blush spread, his beautiful eyes darkened ... Then, dressed up, he sat down in a chair, - as a guest, as a stranger in his own apartment - and began to wait for the fateful hour. Finally, in the dining room, it struck six and a half importantly, menacingly. He shuddered, got up, restrainedly, without haste, put on a spring hat in the hallway, took a cane and slowly left. But on the street he could no longer control himself - he walked with his long and thin legs faster, with all the defiant importance inherent in a hunchback, but seized by that blissful fear with which we always anticipate happiness. When he quickly entered the square near the cathedral, suddenly. ... ...
Slide 6
Comprehensive text analysis scheme. The main theme of the text. The main idea of \u200b\u200bthe text. What sentence is it in? Style, type of speech. The structure of the text, compositional parts. Analyze artistic means of expression. Syntactic figures of the text. 7. Spelling and punctuation work.
Slide 7
The hunchback received an anonymous love letter, an invitation to a date: “Be on Saturday, April 5th, at seven o'clock in the evening, in the square on Cathedral Square. I am young, rich, free and - why hide! - I have known for a long time, I have long loved our proud and sad eyes, your noble, intelligent forehead, your loneliness ... I want to hope that you will find, perhaps, in me a soul dear to you ... My signs: gray English suit , in his left hand a lilac silk umbrella, in his right - a bunch of violets ... ”How shocked he was, how he waited for Saturday: the first love letter in his entire life! On Saturday he went to the hairdresser, bought (lilac) gloves, a new (gray with a red spark, matching the suit color) tie; at home, dressing up in front of a mirror, endlessly bandaging this tie with his long, thin fingers, cold and trembling: on his cheeks, under his thin skin, a beautiful, spotted blush spread, his beautiful eyes darkened ... Then, dressed up, he sat down in a chair, - as a guest, as a stranger in his own apartment - and began to wait for the fateful hour. Finally, in the dining room, it struck six and a half importantly, menacingly. He shuddered, got up, restrainedly, without haste put on a spring hat in the hallway, took a cane and slowly left. But on the street he could no longer control himself - he walked with his long and thin legs faster, with all the defiant importance inherent in a hunchback, but seized by that blissful fear with which we always anticipate happiness. When he quickly entered the square near the cathedral, he suddenly became numb on the spot: towards him, in the pink light of the spring dawn, she walked with important and long steps in a gray suit and a pretty hat, like a man's, with an umbrella in her left hand and with violets in her right, - hunchback. Someone is merciless to a person! 1930
Slide 8
1 2 4 3 1). G ... rbun received ... anonymous love letter, an invitation to a date. 2) “Be on Saturday, April 5, at seven o'clock in the evening, in the public garden on Cathedral Square. 3). I am young, rich, free and - why hide! - I have known for a long time, I have long loved your proud and sad gaze, your good ... dear, intelligent forehead, your loneliness ... 4). I want to hope that you will find, perhaps, in me a soul dear to you ... 5). My signs: a gray English suit, in my left hand ... a lilac purple umbrella, in my right - a bunch of violets ... "6). How it was spent ... sen, how waited for sub ... fromy: the first love letter in my whole life! 7). On sub… why he went to bet… aher, bought (lilac) gloves, a new (gray with a red spark, matching the suit color) tie; at home, cuddling in front of the mirror, endlessly bandaging this tie with his long, thin fingers, cold and others ... pressing: on his cheeks, under thin skin, a beautiful, spotted blush spread, his beautiful eyes darkened ... 8) ... Then, dressed up ... he sat down in a chair - like a guest, like a stranger in his own apartment - and waited for the fateful hour. nine). Finally, in the dining room, it struck six and a half importantly, menacingly. ten). He shuddered, got up, restrainedly, without haste put on a spring hat in the hallway, took a cane and slowly left. eleven). But on the street he could no longer control himself - he walked with his long and thin legs faster, with all the defiant importance inherent in a hunchback, but seized by that blissful fear with which we always anticipate happiness. 12). When he quickly entered the square near the cathedral, he suddenly became numb on the spot: towards him, in the pink light of the spring dawn, she walked with important and long steps in a gray suit and a pretty hat, like a man's, with an umbrella in her left hand and with violets in her right, - hunchback. thirteen). Someone is merciless to a person! 1930
Slide 9
2 1 3 1. Parsing of a word by composition by Trembling 2. Phonetic parsing of place, place, 3. Morphological analysis In the square - I. noun, (what?) II. Morphological signs 1. N. f.- 2. Constant signs: own. or nar., soul. or inanimate., gender, declension. 3. Inconsistent signs: case, number. III. I entered (where?) Into the square.
Slide 10
4 4. Parsing Someone is merciless to a person! The plan of the characteristics of the sentence 1. According to the purpose of the statement, this sentence: a) narrative b) incentive c) interrogative 2. According to emotional coloring: a) exclamation b) non-exclamation 3. By the presence of grammatical bases: a) simple b) complex 4. By the presence of the main members: a) one-part b) two-part 5. According to the presence of secondary members of the proposal: a) widespread b) non-widespread 6. What is complicated? 7. Draw a diagram if the proposal is complicated.
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Style characteristic plan Conversational Scientific Official-business Publicistic Artistic Purpose of expression Scope of application - in oral speech in writing. speech Means of language characteristic of style Communication, exchange of thoughts Communication, transfer of scientific information Communication, transfer of business information Impact on listeners or readers Conversation in an informal setting Friendly letters, messages Lessons, lectures, reports Textbooks, dictionaries, encyclopedias, scientific and scientific -popular books Announcements (radio, television) Laws, documents, announcements Speeches at rallies, meetings Articles in newspapers, magazines Colloquial vocabulary and phraseology, exclamation sentences, emotionality Terms, lack of figurative means of language, emotionality of speech Concise, compact presentation, use of words in direct meaning, the accuracy of the message Saving language means, laconic presentation, the use of words in the direct meaning, the presence of cliche turns Impact on listeners or readers of the work Works of oral folk art Works of fiction Fine and expressive means of language: epithets, meta odds, comparisons, exclamations, individual author's style
Slide 12
Using a complex text analysis scheme, make an analysis of your favorite poem. Homework
The artistic style of speech that is used in artistic
literature. This style affects the imagination and feelings of the reader,
conveys the thoughts and feelings of the author, uses all the richness of vocabulary,
the possibilities of different styles, characterized by imagery,
emotionality of speech.
In a work of art, the word not only carries a certain
information, but also serves to aesthetic impact on the reader when
help of artistic images. The brighter and more truthful the image, the stronger it is
affects the reader.
In their works, writers use, when necessary, not only words
and forms of the literary language, but also obsolete dialectal and vernacular
the words.
The emotionality of the art style differs significantly from
emotionality of conversational, everyday and journalistic styles. She
performs an aesthetic function. Artistic style suggests
preliminary selection of language means; to create images are used
all language means. A distinctive feature of the art style
speech can be called the use of special figures of speech, giving
the narrative is colorful, the power of depicting reality.
STYLE
Agafonova E.E.
SPEECHES
The sphere of use is the language of fiction.
The purpose of use is to create an artistic image,
emotional - aesthetic impact.
The artistic style is imaginative,
the widespread use of pictorial and expressive means of language.
Language tools:
1.Epites, comparisons, metaphors,
hyperbole, etc.
2. Stylistic figures (figures
speech): anaphora, antithesis, non-union, gradation,
inversion, parallelism, rhetorical question, appeal, silence, ellipsis, epiphora. Agafonova E.E.
Artistic speech style
1 .Designed
for creating
artistic,
poetic images, emotional - aesthetic
impacts, and all language tools included
into a work of fiction, obey the tasks
of this style.
2. The main function is aesthetic.
3.To the means of artistic expression
include RHYTHM, RHYME, INTONATION, SOUND
.
4.The characteristic feature is the combination of various
styles of speech, combination of words "high" and "low",
the presence of colloquial vocabulary, sometimes - vernacular, dialectic, professionalism.
5.Type of speech - reasoning, reasoning with elements
descriptions, description.
Each style is characterized by the following features:
EVERY STYLE IS CHARACTERIZEDTHE FOLLOWING FEATURES:
Forms
(genres),
in which
exists
The purpose of communication
Language set
funds Style
speeches
Sphere
communication
goal
communication
Set
languages
s
funds
Forms
(genres)
linguistic
funds
The main
style
traits
Artistic
venous
style
speeches
Verbal and artistic
new
creation
Impact
with
help
established
images on
feelings and
thoughts
readers
and
listeners
All
linguistic
facilities
tragedy,
comedy,
drama,
novel,
short story,
story,
story,
poem
nie, fable,
poem,
romance
Imagery,
concreteness,
emotionally
st,
evaluative
character of speech
The artistic style is characterized by the following expressive means
ARTISTIC STYLE CHARACTERIZEDWITH THE FOLLOWING EXPRESSIVE MEANS
Trails
Figures of speech
(rhetorical,
stylistic)
This is a turnover
speech in which
word or
expression
used in
figurative
meaning in
purposes
achievements
more skinny
expressiveness
and.
This is a turnover
speech,
syntactic
construction,
used by
to strengthen
expressiveness
and
statements.
Sound
facilities
expressiveness
Based on
unusual
consonances,
pressure
sound or his
absence.
Fine
opportunities
vocabulary
Pictorial
capabilities
syntax
Help to provide a strong and
bright disclosure of the work Trails
Figures of speech
Sound
facilities
expressiveness
Pictorial
capabilities
vocabulary
Pictorial
capabilities
syntax
allegory,
alliteration,
grotesque,
hyperbola,
irony,
litotes,
metaphor,
metonymy,
impersonation,
paraphrase,
synecdoche,
comparison,
epithet.
anaphora,
antithesis,
asyndeton,
gradation,
inversion,
multi-union,
parallelism,
rhetorical
question,
rhetorical
appeal,
default,
ellipsis,
epiphora.
Sound writing,
onomatopoeia,
alliteration,
assonance.
Antonyms,
contextual
antonyms,
dialectisms,
jargon,
borrowing.
the words,
book
vocabulary,
neologisms,
occasionalisms,
homonyms,
vernacular,
synonyms,
contextual
synonyms,
phraseological units,
outdated words,
terms,
expressive
colloquial
vocabulary.
Ranks
homogeneous
members
offers,
proposals with
introductory
words,
multi-union,
asyndeton,
dialogicality
statements,
parcel. Trails Trail (from ancient Greek τρόπος -
turnover) - in artistic
word product and
expressions used in
figurative meaning with purpose
enhance the imagery of the language,
artistic expression
speech.
Impersonation (personification, prosopopeia) is a trope, the assignment of the properties of animate objects to the inanimate. Quite often
PERSONALIZATION (PERSONIFICATION, PROZOPOPE) - TROP,ASSIGNMENT OF ANIMATED OBJECT PROPERTIES
UNSHATED. VERY FREQUENTLY PERSONALIZATION
USED \u200b\u200bIN THE PICTURE OF NATURE WHICH
IS ENHANCED WITH THEM OR OTHER HUMAN FEATURES.
EG:
And to the mountain, the mountain, the bitter!
AND BARKED THE MOUNTAIN,
THE LEGS ARE CONTRACTED BY MOUNTS. Metaphor (from ancient Greek μεταφορά -
"Transfer", "figurative meaning") - trope,
a word or expression used in
a figurative meaning based on
lies an unnamed comparison of the subject with
any other on the basis of their common
sign. (“Nature here we are destined to
Europe to cut a window ”). Any part of speech in
figurative meaning. Metonymia (ancient Greek μετονυμία - "renaming", from μετά -
"Above" and ὄνομα / ὄνυμα - "name") - a kind of path, a phrase, in
which one word is replaced by another, denoting an object
(phenomenon) located in one or another (spatial,
temporary, etc.) connection with an object that is indicated
the replaced word. The substitute word for this
used in a figurative sense. Metonymy follows
to be distinguished from the metaphor with which it is often confused, meanwhile
how metonymy is based on replacing the word "by contiguity" (part
instead of a whole or vice versa, a representative instead of a class, or
on the contrary, the container instead of the content, or vice versa, etc.),
and the metaphor is "by similarity." A special case of metonymy
is the synecdoche. ("All flags will visit us", where the flags
substitute countries.) Hyperbola (from ancient Greek ὑπερβολή “transition; excess, excess;
exaggeration ") is a stylistic figure of an explicit and intentional
exaggeration, in order to increase expressiveness and emphasize
spoken thought. ("I said this a thousand times"; "We have food for six months
that's enough. ")
Litota - a figurative expression that belittles size, strength, meaning
described. Lithota is called inverse hyperbole. ("Your spitz,
adorable spitz, no more than a thimble "). Periphrase (paraphrase, periphery; from ancient Greek.
περίφρασις - "descriptive expression",
"Allegory": περί - "around", "about" and
φράσις - "statement") is a trope,
descriptively expressing one concept with
using several.
Periphrase - indirect reference to an object by
not names, but descriptions. ("Night Light" \u003d
"moon"; "I love you, Peter's creation!" \u003d "I love
you, St. Petersburg! "). Epithet (from ancient Greek ἐπίθετον - "attached") -
definition at a word that affects it
expressiveness. Expressed primarily in name
an adjective, but also an adverb ("love ardently"),
noun ("fun noise"), numeral
("second Life").
Sinekdokha (ancient Greek συνεκδοχή) - trope, variety
metonymy based on the transfer of meaning from
one phenomenon to another on the basis of quantitative
the relationship between them. (“Everything is asleep - both man and beast,
and a bird "; “We all look at Napoleons”; "In the roof for
my family ”; "Well, sit down, light"; "More
just take care of a penny. ") Ironia (from ancient Greek εἰρωνεία - "pretense") is a trope in which the true meaning
hidden or contradicts (opposes) the explicit meaning. Irony creates
feeling that the subject of discussion is not what it seems. ("Where are we going,
fools, drink tea. ")
Sarcism (Greek σαρκασμός, from σαρκάζω, literally "tear [meat]") is one of
types of satirical exposure, stinging mockery, the highest degree of irony,
based not only on the heightened contrast of the implied and the expressed,
but also on the immediate deliberate exposure of the implied.
Sarcasm is ridicule that may open with a positive judgment, but
the whole always contains a negative connotation and indicates a human flaw,
object or phenomenon, that is, in relation to which it occurs. Example:
The capitalists are ready to sell us a rope on which we will hang them.
If the patient really wants to live, doctors are powerless.
Only the Universe and human stupidity are endless, while relatively
the first of them I have doubts.
Genres of fiction: epic (antique literature);
narrative (novels, novellas, short stories); lyric (poems, poems);
Genres of fiction speech:
epic (antique literature);
narrative (novels, novellas, short stories);
lyric (poems, poems);
dramatic (comedy, tragedy). I will lay on a tight bowstring,
I will bend an obedient bow in an arc.
(A. Pushkin)
The city was robbed, fucked, robbed.
(V. Mayakovsky)
In each clove of fragrant lilac,
Singing, a bee creeps in ...
(A. Fet)
I swear on the first day of creation
I swear on his last day ...
(M.Lermontov)
Howled, sang, a stone flew up to the sky,
And the whole quarry was covered with smoke ...
(Zabolotsky) Used materials
1. A. G. Narushevich. Methodology for preparing for the exam in Russian
language: lesson planning, lesson organization, system
exercise. - M .: Pedagogical University "First
September ", 2007.
2. USE-2008: Russian language. Tutor / I.P. Tsybulko, S.I.
Lvov. - M .: Eksmo, 2008.
3. N.A. Senina. Russian language. Unified State Exam - 2007. Introductory
exams. - R / D: Legion, 2006.
4. I.B. Golub. The stylistics of the Russian language. - M .: Rolf, 2001.
5.N.S. Valgin. Text theory. - M .: Logos, 2004.
6. A. Ya. Kuzma, O. V. Neupokoeva, K.V. Prokhorov. Russian
language. Comprehensive preparation for the Unified State
exam. - M .: Iris-press, 2007.
7. V.I. Kapinos et al. Speech development: theory and practice
training: 5-7 grades: kn. For the teacher. - M .: Education, 1991.
8.EI Nikitina. Russian speech: textbook. Development manual
coherent speech for 5-7 grades. middle school - M .: Education, 1992.
“We have been given possession of the richest, most accurate, powerful and truly magical Russian language”.
K. Paustovsky
"The Russian people created the Russian language - bright as a rainbow after a spring shower, as accurate as arrows, melodious and rich, soulful, like a song over a cradle."
A. Tolstoy
Language, our magnificent language! River and steppe expanse in it, It has the rattles of an eagle and a wolf's roar, Chant, and ringing, and incense of worship.
K. Balmont
THE PURPOSE OF THE LESSON:
identifying the features of the artistic style of speech, determining the significance of the artistic word.
Tasks:
- to repeat and generalize the material on the topic studied for the course of the basic school;
- be able to prove that the text belongs to the artistic style of speech;
- develop logical thinking, creativity;
- to understand the content and problems of the read text;
- comment on the problems of the original text, the position of the author;
- express and argue their own opinion;
- consistently and logically express your thoughts.
Parameters
Features:
Scope of use:
Purpose of use:
Language features
Lexical:
Syntactic:
Phonetic:
Morphological:
Presentation title
Give me the evening dawn The vastness of the fields and the gentleness of the blue gave .
But here sunset poured out his magnificent flame, And the evening melts in him Star
And there is joy sweet in mind
I. Bunin
For all of You, Lord , thank you! You, after a day of anxiety and sorrow, Grant evening dawn for me, The vastness of the fields and the gentleness of the blue distance.
I am lonely and now - as always. And the Evening Star melts in him Trembling through and through, like a semi-precious stone.
And I'm happy with a sad fate, That I am alone in silent contemplation That I am all alien and I say - with You!
I. Bunin
Thank you for everything, Lord! You, after the day anxiety and sorrow , Give me the evening dawn Spaciousness fields and meekness blue distance.
I am lonely and now - as always. But then the sunset poured out its magnificent flame, And the Evening Star melts in him Trembling through and through, like a semi-precious stone.
And I'm happy with a sad fate, And there is sweet joy in the mind, That I am alone in silent contemplation That I am a stranger to everyone and say - with You!
I. Bunin
Hamlet
What will happen in my lifetime.
***
And the end of the road is inevitable.
B. Pasternak
Hamlet
The hum died down. I went to the stage.
Leaning against the doorframe
What will happen in my lifetime .
***
But the schedule of actions is thought out,
And the end of the road is inevitable.
I am alone, everything is drowning in pharisaism.
Living life is not a field to cross.
B. Pasternak
Fought
dezhka
poppeople
grip
flick
sloping
curly
Us
lyrics
with hostility
repeatedly attacked,
looking for speeches
accurate
and naked.
But poetry
Most lovable thing:
exists -
and not in the tooth with a foot.
V. Mayakovsky "Jubilee"
Oh, laugh, laughing people!
Oh, laugh, laughing people! That they laugh with laughter, that they laugh with laughter, Oh, laugh with a laugh!
Oh, ridiculous laughter -
laughter of laughing laughters!
Oh, laugh with a laugh
laughter of the daring laughs!
Smeyevo, smeyevo!
Laugh, laugh, laugh, laugh!
Laughing ones, laughing ones.
Oh, laugh, laughing people!
V. Khlebnikov "The Curse with Laughter"
"Manuscripts do not burn"
"Each will be given according to his faith"
"Everything will be right, the world is built on this"
"There are no evil people in the world, there are unhappy people"
"Any power is violence against people ..."
“Never ask for anything! Never and nothing, and especially for those who are stronger than you. They themselves will offer and they themselves will give everything! " (Woland)
“The truth is easy and pleasant to speak” (Yeshua)
"Fact is the most stubborn thing in the world"
Parameters
Features:
Scope of use:
Purpose of use:
Language features
Lexical:
Syntactic:
Phonetic:
Morphological:
Presentation title
AND i'm happy with a sad fate, AND there is sweet joy in the mind, what i am alone in silent contemplation, what i am a stranger to everyone and I say - with You!
And happy i sad fate, And there is joy sweet in mind ...
I. Bunin "I thank you for everything, Lord"
"For all of you, Lord, thank you!"
I. Bunin
“Why don't people fly? I say, why do people not fly like birds? You know, sometimes it seems to me that I am a bird. When you stand on a mountain, you feel like flying. So I would have scattered, raised my hands and flew. Is there anything to try now? "
A. Ostrovsky "Thunderstorm"
I love you win back all the others - the one, the one You will not be anybody's fiance, I will be nobody's wife, And in the last argument I will take you - shut up ! - The one with whom Jacob stood in the night.
M. Tsvetaeva "I will win you back ..."
- From what? Because the places are beautiful
Because the water is pure spring ...
***
My friend asked me without fuss:
- Why are there many children in Mezhdurechensk?
I shrugged my shoulders, waved my hand:
- From what? Yes, this is probably the climate! ...
V. Izmailov
Really not a city in the taiga,
A solid kindergarten !...
***
And the bird cherry!
The whole mountain will turn white! ...
AND does not sleep the youth,
AND sings until morning.
***
And when get drunk when shut up …
V. Izmailov
« Love must be tragedy ... The greatest secret in the world. No life comforts, calculations and compromises should concern her. "
A.I. Kuprin
“The swollen eyelid has risen, veiled in a haze of suffering eyes stared on the arrested person. The other eye remained closed. "
"Now already both sore eyes looked to the prisoner. "
"Is he looked with dull eyes to the arrested person. "
M. Bulgakov "The Master and Margarita"
"Could you?"
I immediately smeared weekday card ,
splashing paint from a glass;
i showed on a platter of jelly
oblique ocean cheekbones .
On tin fish scales
i read calls for new lips .
And you
nocturne play
we could
on flute downpipes ?
Parameters
Features:
Scope of use:
Purpose of use:
Language features
Lexical:
Syntactic:
Phonetic:
Morphological:
Presentation title
1st stanza
For all You, Lord, grace r yu! You, after day t r gods and sorrows, Yes r leave me veche r nude for r yu, P r osto r fields and to r from the blue distance.
Last stanza
AND mid and from aphids at i don't h ally from fishing, And e from delight from okay in from knowledge, H then i'm alone in the silent from lakes c anye, H then sun i eat h at f and I say - from You!
I. Bunin
M. Bulgakov "The Master and Margarita"
« In a white cloak with a bloody lining, a shuffling cavalry gait, in the early morning of the fourteenth of the spring month of Nisan, the procurator of Judea, Pontius Pilate, entered the covered colonnade between the two wings of the palace of Herod the Great.
Parameters
Features:
Scope of use:
Purpose of use:
Language features
Lexical:
Syntactic:
Phonetic:
Morphological:
Presentation title
Whispers, timid breathing.
Nightingale trills,
Silver and wobble
Sleepy brook.
Night light, night shadows
Shadows without end
A series of magical changes
Sweet face
In the smoky clouds, purple roses
Reflection of amber,
And kissing and tears
And dawn, dawn! ..
A. Fet
Parameters
Features:
Scope of use:
Purpose of use:
Language features
Lexical:
Syntactic:
Phonetic:
Morphological:
Presentation title
Parameters
Features:
Scope of use:
Fiction.
Purpose of use:
Emotional impact on the reader, aesthetic pleasure, make them empathize.
Language features
Lexical:
Syntactic:
Paths: metaphors, epithets, comparisons, impersonations, oxymoron, etc.
High vocabulary, vernacular, synonyms, antonyms, homonyms, obsolete words, phraseological units, dialectisms, jargonisms, vulgarisms, occasionalisms, aphorisms and catchphrases.
Figures of speech: anaphora, antithesis, non-union, gradation, inversion, parallelism, rhetorical question, exclamation, conversion, parcellation, gradation.
Phonetic:
Key words, refrain, antithesis, dialogical presentation, rows of homogeneous members, multi-union.
Sound writing, onomatopoeia, alliteration, assonance. Rhythm.
Morphological:
Verbosity, richness of the text with verbs, personal pronouns, personal verbs.
Presentation title
Let's summarize:
- What factors influence the correct understanding of the content of a work of art?
- What linguistic features should be taken into account when analyzing a work of art?
- How are tropes and syntactic figures different?
- Why do you need to be able to analyze literary text?
- Where can you use the knowledge, skills, and abilities acquired in this lesson?
Slide 1
Slide text:
Artistic speech style
Slide 2
Slide text:
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The world of fiction is a "re-created" world, the depicted reality is, to a certain extent, the author's fiction, which means that in the artistic style of speech, the subjective moment plays the main role. All surrounding reality is presented through the vision of the author. But in a literary text we see not only the world of the writer, but also the writer in
this world: his preferences, condemnation, admiration, rejection, etc. Associated with this are emotionality and expressiveness, metaphor, meaningful versatility of the artistic style of speech.
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For the artistic style of speech, attention is typical to the particular and the casual, followed by the typical and general. Remember "Dead Souls" by N.V. Gogol, where each of the shown landowners personified certain specific human qualities, expressed a certain type, and all together they were the "face" of the contemporary author of Russia.
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The basis of the artistic style of speech is the literary Russian language. The word performs a nominative-pictorial function.
The vocabulary in the artistic style of speech has its own characteristics. The words that form the basis and create the imagery of this style include the figurative means of the Russian literary language, as well as words that realize their meaning in the context. These are words of a wide range of use. Highly specialized words are used to an insignificant extent, only to create artistic authenticity when describing certain aspects of life.
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Emotionality and expressiveness of the image come to the fore in the literary text. Many words, which in scientific speech appear as clearly defined abstract concepts, in newspaper and publicistic speech - as socially generalized concepts, in artistic speech carry concrete sensory ideas. Thus, the styles are complementary to each other. For example, the adjective "lead" in scientific speech realizes its direct meaning - "lead ore", "lead, bullet", in the artistic form it forms an expressive metaphor - "leaden clouds", "lead night". Therefore, phrases play an important role in artistic speech, which create a kind of figurative representation.
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Language features of the artistic style of speech
Heterogeneity of the lexical composition: a combination of book vocabulary with colloquial, vernacular, dialectal, etc.
The variegated grasses have faded. On the ridges of Nikla there is a joyless burnt-out wormwood. The nights were decaying quickly. At night, innumerable stars shone in the charred black sky; month - the Cossack sun, darkening with a damaged sidewall, shone sparingly, white; the spacious Milky Schlyakh was intertwined with other stellar paths. The astringent air was thick, the wind was dry, wormwood; the earth, saturated with the same bitterness of the all-powerful wormwood, yearned for coolness. (M.A.Sholokhov)
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2. The use of all layers of Russian vocabulary in order to realize the aesthetic function.
Daria hesitated for a minute and refused:
- No, no, I'm alone. I'm alone there.
Where "there" - she did not even know close and, leaving the gate, went to the Angara. (V. Rasputin)
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3. The activity of polysemous words of all styles of speech.
The river is seething with a lace of white foam.
Poppies are crimson on the velvet of the meadows.
Frost was born at dawn.
(M. Prishvin).
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I was dreaming of catching shadows leaving
Fading shadows of a dying day.
I climbed the tower. And the steps trembled.
And the steps trembled under my foot
(K. Balmont)
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5. Greater preference for the use of concrete vocabulary and less - abstract.
Sergei pushed the heavy door. The porch step sobbed barely audibly under his foot. Two more steps - and he is already in the garden.
The cool evening air was filled with the intoxicating scent of acacia blossoms. Somewhere in the branches, a nightingale was iridescent and subtly drawing out its trills.
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6. Wide use of folk-poetic words, emotional and expressive vocabulary, synonyms, antonyms.
The dog rose, probably since spring, has still made its way along the trunk to the young aspen, and now, when the time has come to celebrate its name-day for the aspen, all of it flashed with red fragrant wild roses. (M. Prishvin).
New time was located in Ertelev Lane. I said "fit." This is not the right word. It reigned, reigned. (G. Ivanov)
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7. Verbal speech (the writer names each movement and change of state in stages).
Grigory went down to the Don, carefully climbed over the fence of the Astakhovsky base, went to the window covered with shutters. He heard only frequent beats of the heart ... He knocked softly on the binding of the frame ... Aksinya silently walked to the window, peered. He saw her clutching her hands to her chest and heard her muffled groan escaping her lips. Gregory made a sign to open the window and remove the rifle. Aksinya flung open the doors. He stood on the heap, Aksinya's bare hands grabbed his neck. They were so trembling and beating on his shoulders, these dear hands, that their trembling was transmitted to Gregory. (M. A. Sholokhov "Quiet Don")
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Description of the presentation by individual slides:
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Styles of speech Completed by: Eremeeva I.A., teacher of Russian language and literature, Municipal Educational Institution "Secondary School No. 5 UIM"
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The word style comes from lat. stylus is a pointed stick. In ancient times, it meant a stick, pointed at one end and rounded at the other, a rod made of wood, metal, bone. They wrote with a sharp end, and with the other - in the form of a spatula - they erased what was badly written in order to write again. The word style began to denote the quality of what was written. This is the essence of stylistics - the ability to express one's thought in different ways, by different linguistic means, which distinguishes one style from another.
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Speech styles colloquial book scientific publicistic formal business artistic
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Conversational style purpose of use sphere of use speech genres linguistic means style features direct daily communication casual, informal atmosphere; friendly conversation, private letters; colloquial vocabulary, simple sentences; emotionality, imagery, concreteness, simplicity
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Determine the style of the text. Justify your answer Is it possible for me, comrade military commissar, to quit the circus instead of the theater? And he screwed up his eyes and asked: To the circus? Why is this? Yes, - I say, - it is painfully entertaining ... The learned elephant will be taken out, and again red-haired, French wrestling ... He waved his finger: I will show you the elephant! Unconscious element! Redheads! You yourself are a red-haired redneck! Elephants are scientists, but you, my woe, are unlearned! What is the use of a circus? AND? Well, in a word, I have no time to talk with you for a long time ... MA Bulgakov. "Week of education"
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Scientific style purpose of use sphere of use speech genres linguistic means stylistic features communication of scientific information; formal setting; scientific article, educational literature; terms, complex sentences, introductory words; consistency, objectivity, accuracy, abstractness, generalization
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Determine the style of the text. Justify your answer Lyrical digressions are a compositional and stylistic device in fiction and, mainly, in poetry, which consists in the fact that the author deviates from the direct plot narration, interrupting it with lyrical insertions on topics that are little or not at all related to the main theme. Compositionally, lyrical digressions have a double meaning: on the one hand, they play the role of inhibiting the fabulous development of a novel or poem, and on the other, they allow the writer to express personal judgments in an open form on issues that are directly or indirectly related to the central theme. A.P. Kvyatkovsky School poetry dictionary.
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Official business style purpose of use sphere of use speech genres linguistic means style features message, informing the official setting (legislation, business-production, administration) laws, orders, protocols, certificates, statements; standardized turns of speech, official business vocabulary; unambiguous accuracy
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Determine the style of the text. Justify your answer Chapter 1. Fundamentals of the constitutional system Article 1. The Russian Federation - Russia is a democratic Federal law-based state with a republican form of government. 2. The names "Russian Federation" and "Russia" are equivalent. Article 2. Man, his rights and freedoms are the highest value in the Russian Federation. Recognition, observance and protection of the inalienable rights and freedoms of a citizen is the duty of the state. From the Constitution of the Russian Federation
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Publicistic style, purpose of use, scope of use, speech genres, language means, stylistic features, impact through mass media; official setting: appearances in the media, at rallies and meetings; article, essay, reportage, oratorical speech; socio-political vocabulary; exclamation points, rhetorical questions; consistency, emotionality, imagery, evaluativeness, appeal
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